Tuesday, September 4, 2012

Statup Crispy Games wants to be the Zynga *from* India

Zopte, the company that launched its product at UnPluggd has pivoted (around a year back) to a totally new avatar called CrispyGam.es. Started a year ago, the company has launched 10 games on iOS platform, out of which two games became #1 and #2 in “Top Free Apps” category in Japan. 

crispygames

Founder, Harsh Jain has ambitious plans to scale up CrispyGames and below is a candid QnA with him.

Pi: What product attributes led to the apps being a hit in Japan?

Harsh: No secret sauce here. I have always been a big fan of localization and targeting global markets. Something I picked up from my time at Google. So when we launched our games, we did them simultaneously in English/Chinese/Japanese. And not just description/name, the entire game including graphics. All the translation was done by real humans and we did considerable research for the names. Consistent improvements lead us into top Charts. And it’s not just Japan, we have done well in China too, compared to US. While we are off top-charts, if you still search for “Air Hockey” in China/Japan we are in top 5 (out of 100s). Even in US we are in top 15. Also there is no big correlation between rankings in the countries. Apple does it independently. Reviews/Ratings for one country doesn’t get counted (even shown) in other countries.

Pi: Frankly, Zynga (and similar big gaming cos) have built a much deeper connect with casual gamers (and products are much deeper) than most of the other cos. What sort of games do you guys plan to get into?

Harsh: We are getting deeper. We have already made big push into Casino Games. A category we want to dominate over next few years. We are also in early stages of building strategy based MMORPGs. Instead of doing niche games, we believe in taking on the popular titles and do better than the 99% of the existing games. This has worked well for us, as people search for popular titles more and we become discoverable. We are also innovating the whole process of building games and have internal frameworks/libraries that help us move significantly faster.

Pi: Future plans?

Harsh: Keep scaling and move really fast. It took us 3-4 months to launch our first physics game, where we launched 3 multiplayer games (Poker, Slots, Blackjack) and many updates to existing games over last 2 months. We also hired 2 people to help us quickly port our games to Android/Flash and we hope to start launching in a month. 

We are going to keep doing this and don’t plan to get into anything else. We love what we are doing and there is instant gratification. Over 2 Million games downloaded over last year. About 70 people playing our games right now, as I write this email. We are profitable, and have cash for one year runway. It’s going to be a slow company and I am confident the tipping point will come.

[This startup coverage is part of Pluggd.in’s 65 startup special series, which is supported by Nexus Venture Partners. If you are a product startup, submit your details here.]



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Explained: Why is it a sin to calculate macro-level gross profit in e-commerce

When a book retailer sells a book, the economics of one transaction can be summarized as:

Item Bestseller Book
MRP 225
Selling price 175
Sourcing price 120
Gross profit 40
Gross profit (%) 31%
Conclusion Books have a lot of margin! Lets sell these things online so we’ll get huge volumes and great profits. Life is ideal.

Online retail is not retail – this is a clear enough assertion. Therefore, the way the economics is done cannot be the same for both platforms. E-com (used interchangeably with online retail) is very similar to retail because procurement strategies are similar, inventory calculations are similar, marketing strategies are also somewhat akin to physical retail and a lot of common promotional devices come in handy. However, there is only huge difference in the way numbers are calculated in this space.

The major difference between retail and online retail lies in the fact that e-tailers must consider each order separately and add certain costs to the procurement cost price before calculating profit. This difference arises because unlike retail, every item has to be painstakingly presented well to the customer and every order processed and delivered separately. Thus the term unit economics is of relevance – this simply means that profit calculations must be done at order level and then a summation should be carried out to determine final profit.

Let us discuss different type of costs that need to be calculated at unit (order or item) level to calculate profit.

Item level costs

1. Cost Price: This is the amount that is paid to the supplier. Add to this the delivery cost of goods and calculate the effective cost price of each item.

2. Publishing cost per item: Each item has to be cataloged thoroughly with extensive textual (description, features etc) and visual detail (photographs). This publishing either done in-house or outsourced, has a certain cost. It is convenient to put interpret these costs as fixed costs and forget about them while calculating gross profit, but understanding that this cost will grow with every product that is added in the catalog will cause us to consider this as a psedo-variable cost. It does not depend on the no of items sold (as per the strict definition of variable cost) but on the no of items bought.

To calculate effective publishing cost for each SKU (stock keeping unit or every distinguishable product), divide the total expense (salary, infrastructure or fee) by the number of SKUs published. To calculate the effective publishing cost for each item, divide the effective SKU publishing cost by the inventory depth (number of items purchases in this SKU).

2. Payment processing cost: In the online world, each item (or order) incurs a separate commission from the payment gateway. In the case these are cash-on-delivery orders, the logistic company charges a certain amount for this value add service. We shall term all these costs the total payment processing cost.

Order level costs

4. Packaging cost: Every order has to be packed separately and this cost should be added. Some categories require better packaging and more cost. In some cases this can be insignificant.

5. Delivery (shipping) cost: After the supplier cost price, this is usually the biggest chunk of cost as far as e-tailing is concerned. Delivery is usually a mixture of self-delivery and outsourced delivery models. Calculating 3rd party delivery cost is easy when the invoice is in your hand. But the fixed costs involved at your end should never be neglected and should be converted to an order level cost before proceeding.

 

6. Return cost: If an item or order was returned, there will be cost associated with processing the return (usually not very significant because return percentage is low) and the logistics cost of getting an item back to your premises. Don’t forget to take this into account for order where a return has been taken. Determining the percentage of returns of delivery and adding an appropriate incremental factor to delivery cost can easily model return cost. In short we can amortize this cost over all orders because the contribution might be small. If, however, this assumption does not hold true and the contribution is huge, this cost too must be accurately calculated separately.

 

7. Lost/ damaged/ unsellable inventory: In case the inventory is lost/damaged and you have to replace items to your customer, an additional costs equal to the sourcing cost price should be added in your cost for that order.

All of these costs must be calculated for each order and gross profit should then be ascertained after deducting these from the selling price to get an order level profit. The sum of this profit for all transactions is the profit of the company. This sum should be held sacrosanct and the stakeholders must always come back to this number to analyze the effect of every tiny change. If you end up maximizing this number, whatever you want to call it, life will treat you well.

Let us see how taking all of these costs for a book sold online affects our judgment.

Item Bestseller Book
MRP 225 Usual price of a book
Selling price 175 Consumers love discounts
Cost price 120
Publishing (cataloging) price 5 The cost taken to get the book listing live
Payment processing cost 25 Bare minimum COD charges levied by the logistics partner
Packaging cost 10
Delivery cost 50 Since we can deliver all over India, this is the minimum logistics cost.
Return cost 0
Lost/damaged 0
Actual Gross Profit -35 20% loss
Conclusion Selling low value books online is a loss-making affair!

This is a skewed example but it shows how greatly negligence in these calculations can affect your overall vision and business strategy.

The most important aspect of this calculation is that profit calculation has to be carried out at an item (and order) level, taking all e-tailing specific costs into account and then must be summed for every transaction. This is necessary because every transaction is not the same – some orders yield a high percentage of profit and some result in blatant loss even if the sourcing margins are very similar. Performing a macro level calculation will average these “good” and “bad” transactions out and an accurate measure of the well being of the business will not be represented – thereby leading to faulty strategies of selling and discounting.

[Guest article contributed by Maniraj Singh. He is a graduate from IIT Delhi and MIT, USA. He is a passionate entrepreneur with his third venture being an e-commerce company by the name of madeinhealth.com which got acquired recently by healthkart. Maniraj currently co-heads the business strategy department at yebhi.com. Maniraj can be reached at maniraj@alum.mit.edu]

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Launchgarage: New Startup Accelerator Blasts Off in the Philippines

Launchgarage, a joint partnership between Kickstart Ventures and Proudcloud, is a new startup accelerator program in the Philippines.

It is looking for participants for its six month program which includes seed funding, a workspace, mentorship and advice, ‘rockstar’ networking, exclusive lectures, pitch days, and strategic partnerships with leading technology players.”

A seed fund of $30,000 for 15 percent equity will be offered to the selected startups, which in turn will be used as their “operational capital during the accelerator program.”

Launchgarage will also expose the teams to different mentors from a wide variety of industries both from the Philippines and other regions around the world. If you’d like to apply, you can do so here.

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Bernard Leong Asks: What Can Be Learned from Rocket Internet’s Asia Expansion?

There’s a good read over on SG Entrepreneurs by Bernard Leong about Rocket Internet’s expansion into Asia and what lessons might be learned from observing the drama surrounding the clone-happy Samwer brothers. Bernard looks at the importance of execution, the troubles they have experienced, and speculates on their hiring practices.

Thanks to Rama Mamuaya for the tip.

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Deezer now streams music in Singapore and Malaysia, needs a Head of Label Relations Asia

deezer logoDeezer launches its music streaming service in Singapore and Malaysia, shortly after debuting in Thailand. They also have plans to launch in Indonesia and the Philippines next.

Are you a music junkie but unsure where you can stream music for free? Heard all about the awesomeness of Spotify but cannot get your hands on it just yet? There is always iTunes, which recently launched their iTunes Store in 12 Asian countries. But maybe buying songs is not your thing.

Leading music streaming subscription provider Deezer has recently announced that it has extending its services to Singapore and Malaysia, just a few days after launching in Thailand. It was also reported that Deezer has intentions to launch in Indonesia and the Philippines in the coming weeks.

What is Deezer?

Deezer is a French web based music streaming website which was launched back in 2007. It allows users to listen to musc on various devices, online or offline. It currently hosts more than 18 million music tracks in its database that can be easily streamed at a click of a button across all devices including iPhone, Android, Blackberry and other Internet-enabled devices. Deezer currently serves over 23 million users across 91 territories worldwide. This is way ahead than its competitor Spotify or Rdio. The service also features an music management tool to help build a personalized music library and playlists, and has social features to allow easy sharing of music on Facebook and Twitter.

Partnerships with mobile carrier for launches

On 22nd June this year, Deezer quietly launched its service in Thailand. For the launch, Deezer partnered with mobile career DTAC, which is a Telenor owned subsidiary. The same model was also used with Orange, T-Mobile and Belgacom when Deezer launched in France, UK, and Belgium. While Deezer partnered DTAC in Thailand, it will be available as a standalone service in Singapore. It is interesting to note that Deezer did not get buy ins from local telcos in Singapore. Was it because local telcos have similar services in place like SingTel AMPed?

Despite that, Axel Dauchez, CEO of Deezer said, “We are thrilled to launch Deezer in Thailand, Singapore and Malaysia as part of our first foray into Asia. There is a real passion for music here and we have no doubt that Deezer’s strong focus on local music and editorial recommendations will resonate with fans in each country.”

Deezer Southeast Asia

Tie up with local music labels

Speaking of local music, the key for the success of Deezer seems to rely much on the buy in from local labels such as Grammy and RS. For countries such as Thailand, Vietnam, Indonesia or the Philippines, it is dominated largely by local music. If local labels are holding out content, it might affect user adoption and affect Deezer’s foothold in Southeast Asia. Perhaps that is why Deezer has actively been looking for someone qualified to come in as their Asian Head of Label Relations. According to the job posting that was up since May, the Head of Label Relations is responsible for establishing strong relationships with all major and independent music labels and publishers in Asia and Oceania. He will also be required to analyze any missing relavant local catalogue.

Note that Apple has a label relations person based in Hong Kong who was responsible in driving the label partnerships for the Asian iTunes Store launch.

Another point worth noting is that, when you navigate through the Deezer dashboard, you can find a special column for Southeast Asian music. However, there are no top tracks or any albums which can be found under the Southeast Asian column. Without local label buy ins, Deezer might risk being yet another music streaming site that struggled for content, such as Grooveshark. Adding onto the risk factor for Deezer in Asia is the widespread use of peer-to-peer sharing of music files. While the Facebook integration of Deezer might help fuel user virality, we will have to wait and see how Deezer fair in Asia.

 

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Deezer now streams music in Singapore and Malaysia, needs a Head of Label Relations Asia

deezer logoDeezer launches its music streaming service in Singapore and Malaysia, shortly after debuting in Thailand. They also have plans to launch in Indonesia and the Philippines next.

Are you a music junkie but unsure where you can stream music for free? Heard all about the awesomeness of Spotify but cannot get your hands on it just yet? There is always iTunes, which recently launched their iTunes Store in 12 Asian countries. But maybe buying songs is not your thing.

Leading music streaming subscription provider Deezer has recently announced that it has extending its services to Singapore and Malaysia, just a few days after launching in Thailand. It was also reported that Deezer has intentions to launch in Indonesia and the Philippines in the coming weeks.

What is Deezer?

Deezer is a French web based music streaming website which was launched back in 2007. It allows users to listen to musc on various devices, online or offline. It currently hosts more than 18 million music tracks in its database that can be easily streamed at a click of a button across all devices including iPhone, Android, Blackberry and other Internet-enabled devices. Deezer currently serves over 23 million users across 91 territories worldwide. This is way ahead than its competitor Spotify or Rdio. The service also features an music management tool to help build a personalized music library and playlists, and has social features to allow easy sharing of music on Facebook and Twitter.

Partnerships with mobile carrier for launches

On 22nd June this year, Deezer quietly launched its service in Thailand. For the launch, Deezer partnered with mobile career DTAC, which is a Telenor owned subsidiary. The same model was also used with Orange, T-Mobile and Belgacom when Deezer launched in France, UK, and Belgium. While Deezer partnered DTAC in Thailand, it will be available as a standalone service in Singapore. It is interesting to note that Deezer did not get buy ins from local telcos in Singapore. Was it because local telcos have similar services in place like SingTel AMPed?

Despite that, Axel Dauchez, CEO of Deezer said, “We are thrilled to launch Deezer in Thailand, Singapore and Malaysia as part of our first foray into Asia. There is a real passion for music here and we have no doubt that Deezer’s strong focus on local music and editorial recommendations will resonate with fans in each country.”

Deezer Southeast Asia

Tie up with local music labels

Speaking of local music, the key for the success of Deezer seems to rely much on the buy in from local labels such as Grammy and RS. For countries such as Thailand, Vietnam, Indonesia or the Philippines, it is dominated largely by local music. If local labels are holding out content, it might affect user adoption and affect Deezer’s foothold in Southeast Asia. Perhaps that is why Deezer has actively been looking for someone qualified to come in as their Asian Head of Label Relations. According to the job posting that was up since May, the Head of Label Relations is responsible for establishing strong relationships with all major and independent music labels and publishers in Asia and Oceania. He will also be required to analyze any missing relavant local catalogue.

Note that Apple has a label relations person based in Hong Kong who was responsible in driving the label partnerships for the Asian iTunes Store launch.

Another point worth noting is that, when you navigate through the Deezer dashboard, you can find a special column for Southeast Asian music. However, there are no top tracks or any albums which can be found under the Southeast Asian column. Without local label buy ins, Deezer might risk being yet another music streaming site that struggled for content, such as Grooveshark. Adding onto the risk factor for Deezer in Asia is the widespread use of peer-to-peer sharing of music files. While the Facebook integration of Deezer might help fuel user virality, we will have to wait and see how Deezer fair in Asia.

 

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Summon Auntie spreads parking love to Hong Kong with Ka Fei Zai

no parking at all times sign

(Credit: Ka Fei Zai)

Summon Auntie, Singapore drivers’ best friend, expands to Hong Kong with localised version, Ka Fei Zai.

Replaid Pte Ltd, the company behind Singapore parking app Summon Auntie, has been busy since they last launched their fifth version in Jun this year. The team has begun expanding and searching for opportunities in Taiwan and Hong Kong. Having set up their new base at Taipei’s CoWorkSpace@GuangFu102, Replaid has announced that they have launched a localised version of Summon Auntie in Hong Kong called Ka Fei Zai.

With a local partner, Allo Online Solution Ltd., Ka Fei Zai will seek to provide similar services to what Singaporean drivers are now enjoying. Hong Kong drivers can now alert their fellow counterparts of nearby Ka Fei Zais to ensure that their parking coupons are still valid and change them it needed. “Ka Fei Zai” is the local term for parking wardens when directly translated means “Coffee man” in English.

Screenshot of Hong Kong parking app Ka Fei Zai

According to Replaid’s business development manager, Sanjay Shivkumar, Ka Fei Zai is very similar to the first version of Summon Auntie. With the partnership and localised version in Hong Kong, the team will seek to increase their presence in Asia in the near future. Replaid’s goal for Summon Auntie, and its present and future localised sister versions, would be to create a huge regional community of drivers.

For Hong Kong drivers interested to follow the development of Ka Fei Zai, check out the Coffee Man community page on Facebook or download the app from the iTunes Store.

Featured Image Credits: Ka Fei Zai

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Summon Auntie spreads parking love to Hong Kong with Ka Fei Zai

no parking at all times sign

(Credit: Ka Fei Zai)

Summon Auntie, Singapore drivers’ best friend, expands to Hong Kong with localised version, Ka Fei Zai.

Replaid Pte Ltd, the company behind Singapore parking app Summon Auntie, has been busy since they last launched their fifth version in Jun this year. The team has begun expanding and searching for opportunities in Taiwan and Hong Kong. Having set up their new base at Taipei’s CoWorkSpace@GuangFu102, Replaid has announced that they have launched a localised version of Summon Auntie in Hong Kong called Ka Fei Zai.

With a local partner, Allo Online Solution Ltd., Ka Fei Zai will seek to provide similar services to what Singaporean drivers are now enjoying. Hong Kong drivers can now alert their fellow counterparts of nearby Ka Fei Zais to ensure that their parking coupons are still valid and change them it needed. “Ka Fei Zai” is the local term for parking wardens when directly translated means “Coffee man” in English.

Screenshot of Hong Kong parking app Ka Fei Zai

According to Replaid’s business development manager, Sanjay Shivkumar, Ka Fei Zai is very similar to the first version of Summon Auntie. With the partnership and localised version in Hong Kong, the team will seek to increase their presence in Asia in the near future. Replaid’s goal for Summon Auntie, and its present and future localised sister versions, would be to create a huge regional community of drivers.

For Hong Kong drivers interested to follow the development of Ka Fei Zai, check out the Coffee Man community page on Facebook or download the app from the iTunes Store.

Featured Image Credits: Ka Fei Zai

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From Weibo to the West: Tea Leaf Nation Partners With The Atlantic

the-atlantic-tln

Here’s some pleasantly surprising news this morning from the folks over at Tea Leaf Nation. The relatively new blog which scours Chinese social media (particularly the microblogs) looking for the interesting stories from China, has teamed up with The Atlantic in a content partnership.

TLN explains that moving forward, some of its content will be co-edited by The Atlantic’s international editor and then featured on both TLN and on The Atlantic’s website.

Speaking as fellow China watchers, it’s great to see that one of the best ‘bridge blogs’ out there is being recognized for its work in telling real, human stories from China — because lets face it, many US media orgs get China all wrong all too often.

To see TNL’s speedy progress over the past year is certainly encouraging news for any young online news startup, including our own. As I understand it, the site was funded out-of-pocket, though they may be seeking foundation funding soon.

I encourage you to check out the blog, as well as the video below from the recent 2012 MIT Knight Media Conference where TLN’s co-founder and co-editor David Wertime explains a little more about the blog (starting at about the 10:45 mark).

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3G Channel For Sale in Indonesia, Priced Over $20M

Facebook in Telkomsel

After being postponed since the end of 2011 and rescheduled three times, Indonesia’s Ministry of Communication and Information Technology finally announced that the channel 11 and 12 3G frequency tender will be held later in September 2012. But the government department still hasn’t set the date.

This tender will be a major deal for all mobile carriers and the public. The capacity of two 3G channels for carriers was already overloaded, sometimes disrupting data services, or even voice calls and SMS. So the importance of this third channel cannot be overstated for the nation’s mobile users and industry.

Kompas cites the founder of the IndoLTE Forum, Heru Sutadi, as predicting that by November 2012, data traffic will have increased around 90 percent. He worries that Indonesian consumers will not be able to enjoy mobile services smoothly next year without the new 3G channel. According to Heru, the number of 3G broadband users in Indonesia has reached 107.35 million up to the first quarter of 2012 (as quoted by Investor Daily).

Mobile operator Telkomsel, as the biggest operator, has approximately 40 million data subscribers, Indosat 31.2 million, XL Axiata 27.9 million, 4.25 million from Axis Telekom Indonesia, and Hutchison CP Telecom/HCPT has 4 million.

Head of PR at the Ministry of Communications and Information Technology, Gatot S. Dewa Broto, said in the interview that the third 3G channel tender fee will be IDR 200 billion (over US$20 million). This new price shows the escalation from the previous tender of IDR 160 to 175 billion. That price excluded the carriers’ up-front fees and annual fee.

According to Detik, a selection of additional blocks of 3G plans will be announced on September 17, and the retrieval of documents selection on September 19 to 24, 2012. ‘Telkomsel, XL Axiata, Axis Telecom Indonesia, and Hutchison CP Telecom all hope to acquire the last two blocks of the 12-block 3G channel.

Gatot said that the Ministry will provide the same frequency for this new channel as the previous one. Now block 11 and 12 are ready to be released. He stated that mobile subscribers will enjoy better quality connections as a result.

The bandwidth is getting wider, and this will improve things significantly. This frequency channel will be established side-by-side to fulfill public expectancy.

From a consumer point of view, this will certainly be welcome news if it means that 3G services indeed experience this kind of noticeable upgrade.

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Evernote announces new smart notebook by Moleskine

One of the most important shows of the digital clipper-locker service has just passed. Evernote Trunk Conference and its Satellite event held in San Francisco attracted thousand of attendees from all over the world. Themed ‘Better with Evernote’, it was delivered into two main series: for users focusing on having better life with the service while the other intended to developers that would like to explore the opportunity of integrating their products and have bigger picture of Evernote portfolio of products and its development.

The second annual developer lovefest was full house with over than 700 participants ranging from developers, business owners, journalists, bloggers, educators and trainers.

People at the Evernote Conference Venue

Company CEO Phil Libin, said that they were gone from 12 million users to 38 million users in a year. He highlighted few points: The service does not mine public data; They don’t target ads or research therefore it is always private.

“You are not the product. All of your data is completely private. We do not monetize you,” Phil pointed out.

Realizing that there was a gap between companies and their products, other announcement revealed was “Evernote for Business” which features an easy on-boarding, user management, smart ownership, company-wide directory, simplified billing, access to premium features, employee setup with higher level of SLA and dedicated support from account manager.  This feature is specially for small and medium businesses and will be available this December. “Full ownership of private data and individual data are the key behind our business version,” Phil adds.

We could start signing up to get access to the document sharing service for beta testing. This new service extends the Redwood City company portfolio including the freemium business model where premium version app is available for US$5 a month.

Helping to digitize handwritten notes, the company launched a paper kind notebook called ‘Evernote Smart Notebook’ incorporation with prominent Italian stationery company Moleskine. A digital conversion would be made each time we take a picture of our handwritten notes and sketches with Evernote iOS app. This comes with the help from the notebook special papers and its Smart Stickers.  A sticker can be place next to the note they would like to scan into Evernote and the app will recognize and associate it with a tag or place it in an Evernote notebook specified in settings.

Furthermore, the notebook is released in both ruled and squared page styles and work optimally with Evernote’s new Page Camera feature. The feature will fix perspective and adjust level of contrast between the graphite to create a viewable and searchable notes. Coming in with a suite of multi-colored and customizable stickers, it is available for public in large and pocket sizes starting on October 1.

There were upgrades on Evernote apps for iOS devices (iPhone and iPad) including its new Page Camera features, and the browser extension ‘Evernote Clearly’. The extension that simplifies Web pages for easier reading, now it displays links related to the web pages with ‘related notes’.

People at the Evernote Conference After Party

As Evernote is maintaining its lead as the primary external brain, last week’s conference showed the strong sign of steady sales growth and legions of fans boost. Business version will be the new revenue stream for the company, and Moleskine’s partnership is a good initiative in bridging physical format with digital content and even better if the technology is developed further.

For those who couldn’t make it, take a look at presentations from the speakers, ambassadors as well as full transcript at the public notebook.

Last but not least, we are looking forward to seeing more useful-and-cool products for our daily life, making us more productive from time to time.

 

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